J ADAL OUD DUO

JADAL OUD DUO

DISC 1

  1. 1st Movement (21:16) (275k .au)
  2. 2nd Movement (15:36)

DISC 2

  1. 3rd Movement (22:22)
  2. 4th Movement (18:54)
Total Time (78:18)




Al Mayadine Quartet

From left
Abboud El Saadi (bass)
Charbel Rouhana (oud)
Marcel Khalife (composer, oud)
Ali El Khatib (riq-tambourine)


Creativity in Arabic music means a symbiotic relationship between the composer and the musician. It is the result of a continuing harmony and struggle between them . No doubt the oral transmission of music in the East has been a determining factor in the development of the improvisational skills of the musician.

Jadal, however, is an attempt to find new methods of expressing the deeply-rooted spontaneity in Arabic music. It is at a level of artistry that departs from the past, presenting a new challenge to the composer and the musician. Jadal brings forth a unique richness in Arabic music through the search for a new law of aesthetics to replace the old. It is an openness toward an uncharted territory emanating from the familiar .

Jadal , a highly free musical idea, explores the utmost possibilities of the oud.

Marcel Khalife


( AUDIO CLIPS )



"Jadal" is a Jewel
Boston Herald
September 27, 1996

"Jadal is a landmark work in classical Arabic music"
"All things Considered"
National Public Radio (NPR)

December 17, 1996


Khalife's Work Broadens Reach of Arabic Music

Lebanese composer and oud master Marcel Khalife is on a mission. Working with centuries of musical heritage, he is attempting to reshape traditional Arabic music into an expansive, universally communicative form of expression reaching well beyond the Arab world.

Jadal illustrates Marcel Khalife's sophisticated application of Western-styled instrumental composition techniques to music with elements deeply rooted in Arabic vocal sources.

Khalife's fertile compositional imagination, which unleashed a striking array of colorful timbres and propulsive rhythms, needed no enlargement to establish its creative authenticity.

The impact of the music was further enhanced by the remarkable, interactive virtuosity of Khalife and his longtime associate, oud player Charbel Rouhana. Working with an almost symbiotic linkage, the two artists soared - individually and in tandem - through performances resembling the swirling, interlaced, endlessly fascinating richness of Arabic calligraphy.

Don Heckman

Los Angeles Times
November 13, 1995

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Copyright © Since 1996 Nagam Cultural Project